Romantic
Franz Liszt
1811 – 1886
Keyboard
10 Lieder, S.569
12 Chorales, Zwölf alte deutsche gestliche, S.50
12 Etudes pour le piano-forte, S.136, R.1
12 Grandes Etudes, S.137, R.2a
12 Lieder von Robert Franz, S.489
12 Lieder, S.558, R.243
12 Soirées Musicales, S.424, R.236
19 Hungarian Rhapsodies, S.244, R.106
2 Concert Etudes, S.145, R.6
2 Czardas, for piano, S225/R45
2 Episodes of Lenaus Faust, for piano 4-hands, S.599
2 Légendes, S.175, R.17
2 Pieces from 'Lohengrin' and 'Tännhauser', S.445
2 Polonaises, S.223, R.44
2 Romanceros espagnol, S.695c
2 Russian Melodies, S.250
25 Bunte Reihe, S.484
3 Apparitions, S.155
3 Concert Etudes, S.144, R.5
3 Funeral Odes, S.516
3 Lieder aus Julius Wolffs Tannhäuser, S.498
3 Morceaux suisses
3 Odes funèbres, S.517
3 Petrarch Sonnets I, for piano, S.158
3 Schubert Marches, for piano, S426/R251
3 Songs, S.485, R.150
4 Consolations, for organ
4 Geistliche Lieder, S.562, R.247
4 Valses oubliées, S.215, R.37
4 Vier Kleine Klavierstücke, S.192
5 Hungarian Folk Songs, S.245, R.108
6 Consolations, S.172, R.12
6 Melodies of Franz Schubert, S.563
6 Müllerlieder, S.565, R.249
6 Organ Preludes and Fugues, S.462, R.119
6 Polish Songs, S.480, R.145
6 Soirées italiennes, S.411
7 Songs, S.547, R.217
7 Variations brillantes sur un theme de Rossini, S.149, R.148
8 Préludes et Harmonies poétiques et religieuses, S.171d
A magyarok Istene, S 674
A magyarok Istene, S.543
Ab irato, S.143, "The Perfect Etude"
Abschied, S.251
Adélaide
Adelaïde, S.466
Agnus Dei de la Messe de Requiem, S.675c
Album d'un voyager, S.156
Album-Leaf: Consolation no. 1, S.171b
Alleluia et Ave Maria, S.183
Am Grabe Richard Wagners, S.202
Am Grabe Richard Wagners, S.267
Am stillen Herd aus den Meistersingern, S.448, R.281
Andante finale and March, S.421, R.233
Andante religioso, S.261a
Angelus! Prière aux anges gardiens, for harmonium, S.672c
Années de pèlerinage, S.160-163, R.10a-e
Aprés une lecture du Dante I, fantasia quasi sonata, S.158c
Aus Lohengrin, S.446
Ave Maria in D flat major, S.504/2
Ave Maria von Arcadelt, S.659
Ave Maria, S.545
Ave Maria, S.659, R.401
Ave Maria, S.674b
Ave Maria: Die Glocken von Rom, S.182
Ave maris stella, S.506
Bagatelle without Tonality, S.216a, R.60c
Ballad from 'The Flying Dutchman', S.441
Ballade no. 1, S.170, "Le Chant du Croise"
Ballade no. 2 in B minor, S.171, R.16
Ballade, for piano no. 2 in B minor, S.170a
Ballade, for piano no. 2 in B minor, S.171
Benedictus and Offertorium aus der ungarischen Krönungsmesse, S.501
Berceuse, S.174
Buch der Lieder, S.531, R.209
Carrousel de Mme. Pelet-Narbonne, S.214a, R.60b
Ce qu'on entend sur la montagne, for 2 pianos, S. 635, "Bergsymphonie"
Christus ist geboren: Nato e Cristo Redentor, S.502
Concert Paraphrase of 'Ernani', S.432
Concert Paraphrase of 'Rigoletto', S.434, R.267
Consolations Nos. 3-6, S.672d
Csárdás macabre, S.224, R.46
Csardas obstine, for piano, S618/R300
Czardas obstine, S.225
Dance macabre, S.555, R.240
Dante Symphony, for 2 pianos S.648
Dem Andenken Petofis, S.195, R111
Der Asra, S.554/2, R.239/2
Der Gondelfahrer, S.559
Die Forelle, S.564
Die Ideale, S.646
Die Lorelei, S. 532
Die Rose, Romanze aus der Oper Zemir und Azor, S.571, R.259
Die Rose, S.556, R.241
Die Trauer-Gondel, S.199a, no. 1
Don Carlos: Coro di festa e Marcia funebre, S.435
Einleitung, Fuge and Magnificat aus der Symphonie zu Dante, S.672b
Elegie no. 1, S.196
Elegie no. 2, S.197
Elégie sur des motifs du Prince Louis Ferdinand de Prusse, S.168
En rêve, S.207, R.87
Evocation à la Chapelle Sixtine, for organ, harmonium or pedal piano, S.658
Excelsior! Preludio zu dem Glocken des Strassburger Münsters, for organ, S.666
Fantasia on Hungarian Folk Themes S.123, R.458, "Hungarian Fantasy"
Fantasia on themes from 'Der Freischütz, S.451, R.284
Fantasie sur des motifs favoris de l'opera La sonnambula, for piano, S393/R132
Fantasie über Motive aus Figaro und Don Juan, S.697
Fantasie über Motiven aus Beethovens Ruinen von Athen, S.122
Fantasy and Fugue on the chorale 'Ad nos, ad salutarem undam', S.259
Fantasy and Fugue on the Chorale Ad nos, ad salutarem undam, S.624, R.314
Fantasy and Fugue on the Theme B-A-C-H, S.529
Fantasy on motives from the opera 'La sonnambula', S.393, R.192
Fantasy sur l'opéra hongroise Szép Ilonka, S.417
Feierlicher Marsch zum heiligen Gral aus Parsifal, S.450
Festklänge, S.641
Festklänge, symphonic poem for piano, S.511d
Festvorspiel
Feuille d'Album no. 1 in E major, S.164
Feuilles d'album in A flat major, S.165
Frühlingsnacht, S.568
Galop de bal, S.220, R.42
Galop in A minor, S218/R40
Grand fantasia de bravoure sur 'La clochette', S.420, R.231
Grand fantasy on motives of 'Soirées Musicales': La serenata e L'orgia, S.422, R.234
Grand galop chromatique, S.219
Grand Paganini Étude, S.141
Grand Septet, S.465, R.127
Grande Fantaisie symphonique über Themen aus Berlioz's 'Lélio', S.120
Grande paraphrase de la marche pour Sa Majesté le sultan Abdul Medjid-Khan, S.403, R.157
Grande valse di bravura, for piano 4-hands, S.615, "Le bal de Berne"
Grandes Etudes de Paganini, S141/R3b
Gretchen: 2.Satz aus der Faust-Symphony, S.513
Grosses Konzertsolo, S.176, R.18
Hamlet, S.644
Harold en Italie, S472/R138
Héroïde funèbre, S.642
Hexameron, S.392, R.131
Historiche ungarische, S.205, R.112
Hungaria, S.643
Hungaria, symphonic poem for piano, S.511e
Hunnenschlacht, S.645
Hymne à Sainte-Cécile, S.491, R.168
Illustrations du 'Prophète', S.414, R.222
Impromptu in F sharp major, S.191
Impromptu brillant sur des themes de Rossini et Spontini, S.150, R.29
In Dominum Domini Ibimus, prelude, S.671
In festo transfigurationis Domini nostri Jesu Christi, S.188
Introitus, S.268/1
Isoldens Liebestod: Schlußszene aus Tristan und Isolde, S.447
Klavierstück in F sharp major, S.193
L'hymne du pape, S.530
La lugubre gondola, S.200
La Notte, S.602
Les adieux, rêverie, from 'Romeo et Juliette', S.409, R.169
Les Préludes, S.637
Les sabéennes, Berceuse from 'The Queen of Sheba', S.408, R.167
Liebestraum, 3 notturnos, S.541
Liebesträume
Litanei, S.562/1
Lob der Tränen, S.557
Marche et Cavatine de Lucia de Lammermoor, S. 398
Marche funèbre de 'Dom Sebastien', S.402, R.156
Mazeppa I, S.138
Mazeppa, S.640
Mazurka pour piano composee par un amateur de St. Petersbourg, S.384
Mephisto Polka, S.217, R.39
Mephisto Waltz no. 1, S.514
Mephisto Waltz no. 2, S.515
Mephisto Waltz no. 3, S.216, R.38
Mephisto Waltz no. 4, S.216a, R.60c, "Bagatelle sans tonalité"
Mephisto Waltz no. 4, S.696
Miserere du Trovatore, S.433
Missa pro organo, S.264
Morceau de salon, étude de perfectionnement, S.142
Mosonyis Grabgeleit, S.194
Nuages gris, S.199
Nun danket alle Gott, S.674c
O du mein holder Abendstern, from 'Tannhäuser', S.444, R.277
O Roma Nobilis, S.456a
O Roma Nobilis, S.669c
O sacrum convivium, S.674a
O! Wenn es doch immer so bliebe, S.554, R.239
Ora pro nobis, litany, S.262
Orchester-Einleitung aus der Legende von der heiligen Elisabeth, S.663a
Orpheus, S.638
Orpheus, symphonic poem, S.511b
Orpheus, symphonic poem, S.672a
Overture to 'Der Freischutz', S.575, R.289
Overture to 'Tannhäuser', S.442, R.275
Overture to 'William Tell', S.552, R.237
Paganini Caprices, S.140, R.3a
Pastorale: Schnitterchor aus den Entfesselten Prometheus, for piano, S.508
Phantasiestück über Motive aus Rienzi, S.439
Piano Concerto no. 2 in A major, for 2 pianos, S.651
Piano Piece in A flat major, S189a/R44a
Piano Sonata in B minor, S.178
Polonaise brillante, op. 72, S.455, R.460
Polonaise from 'Eugene Onegin', S.429, R.262
Prelude a la polka de Borodine, S.207a
Prelude and Fugue on the motive B-A-C-H, S.260i
Prelude and Fugue on the motive B-A-C-H, S.260ii
Preludio per Il Cantico del Sol di San Francesco, S.665
Prometheus, S.639
R.W. Venezia, S.201
Rákóczi-Marsch, for 2 pianos, S.652a
Recueillement, S.204
Regina coeli laetare, S.663
Réminiscences de 'Lucrezia Borgia', S.400, R.154
Réminiscences de 'Lucia di Lammermoor', S.393, R.151
Réminiscences de 'Lucia di Lammermoor', S.397
Réminiscences de 'Norma', S.394, R.133
Réminiscences de 'Simone Boccanegra', S.438, R.271
Réminiscences des 'Huguenots', Grande Fantaisie dramatique, S.412
Requiem, S.266
Resignazione, S.187
Resignazione, S.263/187a
Revive Szegedin, S.572, R.260
Rhapsodie espagnole, S.254, R.90, "Folies d'Espagne et jota aragonesa"
Romance in E minor, S.169
Romance oubliée
Romance oubliée, S.527, R.66b
Rosario, 3 works, S.670
Russian Galop, S.478, R.143
Sacred Dance and Final Duet from 'Aida', S.436
Salve Maria de Jérusalem, S.431
Sancta Dorothea, S.187
Sancta Dorothea, S.187, R.73
Sarabande and Chaconne from 'Almira', S.181, R.25
Scherzo in G minor, S.153
Scherzo and March, S.177
Scherzo und Marsch, S177/R20
Schlaflos, Frage und Antwort, nocturne, S.203
Schwanengesang, S.560, R.245
Second fantasy on motives of 'Soirees musicales': La pastorella dell'Alpi e Li marinari, S.423, R.235
Slavimo, slavni, Slaveni!, S.668
Soirées de Vienna, 9 Valses caprices d’après Schubert, S.427
Spinnerlied aus Der Fliegenden Holländer, S.440
Spirto gentil, from 'La favorite', S.400a
Sposalizio I, S.157a
Stabat Mater, S.579/3
Symphonie fantastique, S.470
Symphony no. 1 in C, S.464/1
Symphony no. 2 in D, S.464/2
Symphony no. 3 in E flat major, S.464/3
Symphony no. 4 in B flat major, S.464/4
Symphony no. 5 in C minor, S.464/5
Symphony no. 6 in F, S.464/6
Symphony no. 7 in A major, S.464
Symphony no. 7 in A, S.464/7
Symphony no. 8 in F, S.464/8
Symphony no. 9 in D minor, S.464/9
Szózat and Hungarian Hymn, S.486, R.158
Tannhauser: Pilgrim's Chorus, S.443
Tarantelle, S.482
Tarentelle di bravura d'après la tarantella de 'La muette de Portici', S.386, R.117
Tarentelle, S.483, R148
Tasso: Lamento e Trionfo, S.636
Toccata, S.197a, R.60
Totentanz
Totentanz, S.525
Transcendental Etudes, S.139, R.2b
Trauerode, oration, S.268/2
Trauervorspiel und Trauermarsch, S.206
Tscherkessenmarsch aus Russlan Ludmilla, for piano 4-hands, S.629
Tu es Petrus aus dem Orartorio Christus, S.664/1
Two Lieder, S.494-495
Unstern! Sinistre, disastro, S.208
Urbi et Orbi, bénédiction papale, S.184
Valhalla from 'Der Ring des Nibelungen', S.449, R.282
Valse à capriccio, sur deux motifs de 'Lucia et Parisina', S.401, R.155
Valse d'Adele, S.456
Valse impromptu, S.213, R.36
Variation on a Waltz by Diabelli, S.147, R.26
Variationen über das Motiv von Bach: Weinen, Klagen, S.673
Variations on a Bach motive: Weinen, Klagen, S.180
Variations on Bach's Weinen, Klagen, Sorgen, Zagen and Crucifixus from Mass in B minor, S.673, R.382
Venezia e Napoli, S159/R10d
Venezia, S.201, R.82
Vexilla regis prodeunt, for piano, S185/R70
Waltz from 'Faust', S.407, R.166
Wanderer Fantasy, S.366
Wedding March and Dance of the Fairies, S.410, R.219
Weihnachtsbaum, 4 hands, S.613
Weihnachtsbaum, S.186
Weimar Volkslied, S.672
Widmung, S.566
Widmung, S.566, R.249
Wiegenlied, S.198
Winterreise, S.561, R.246
Zum Haus des Herrn ziehen wir, S.505
Zwei Kirchenhymnen, S.669
3 Odes funèbres, S.517
10 Lieder, S.569
12 Chorales, Zwölf alte deutsche gestliche, S.50
12 Etudes pour le piano-forte, S.136, R.1
12 Grandes Etudes, S.137, R.2a
12 Lieder von Robert Franz, S.489
12 Lieder, S.558, R.243
12 Soirées Musicales, S.424, R.236
19 Hungarian Rhapsodies, S.244, R.106
2 Concert Etudes, S.145, R.6
2 Czardas, for piano, S225/R45
2 Episodes of Lenaus Faust, for piano 4-hands, S.599
2 Légendes, S.175, R.17
2 Pieces from 'Lohengrin' and 'Tännhauser', S.445
2 Polonaises, S.223, R.44
2 Romanceros espagnol, S.695c
2 Russian Melodies, S.250
25 Bunte Reihe, S.484
3 Apparitions, S.155
3 Concert Etudes, S.144, R.5
3 Funeral Odes, S.516
3 Lieder aus Julius Wolffs Tannhäuser, S.498
3 Morceaux suisses
10 Lieder, S.569
12 Chorales, Zwölf alte deutsche gestliche, S.50
12 Etudes pour le piano-forte, S.136, R.1
12 Grandes Etudes, S.137, R.2a
12 Lieder von Robert Franz, S.489
12 Lieder, S.558, R.243
12 Soirées Musicales, S.424, R.236
19 Hungarian Rhapsodies, S.244, R.106
2 Concert Etudes, S.145, R.6
2 Czardas, for piano, S225/R45
2 Episodes of Lenaus Faust, for piano 4-hands, S.599
2 Légendes, S.175, R.17
2 Pieces from 'Lohengrin' and 'Tännhauser', S.445
2 Polonaises, S.223, R.44
2 Romanceros espagnol, S.695c
2 Russian Melodies, S.250
Wiegenlied, S.198
Christus ist geboren: Nato e Cristo Redentor, S.502
Concert Paraphrase of 'Ernani', S.432
Concert Paraphrase of 'Rigoletto', S.434, R.267
Winterreise, S.561, R.246
Ave Maria, S.545
25 Bunte Reihe, S.484
3 Apparitions, S.155
3 Concert Etudes, S.144, R.5
3 Funeral Odes, S.516
3 Lieder aus Julius Wolffs Tannhäuser, S.498
3 Morceaux suisses
3 Odes funèbres, S.517
3 Petrarch Sonnets I, for piano, S.158
Christus ist geboren: Nato e Cristo Redentor, S.502
Concert Paraphrase of 'Ernani', S.432
Concert Paraphrase of 'Rigoletto', S.434, R.267
Consolations Nos. 3-6, S.672d
Csárdás macabre, S.224, R.46
Csardas obstine, for piano, S618/R300
Czardas obstine, S.225
Dance macabre, S.555, R.240
Dante Symphony, for 2 pianos S.648
Dem Andenken Petofis, S.195, R111
Der Asra, S.554/2, R.239/2
Der Gondelfahrer, S.559
Die Forelle, S.564
Die Ideale, S.646
Die Lorelei, S. 532
Die Rose, Romanze aus der Oper Zemir und Azor, S.571, R.259
Die Rose, S.556, R.241
Die Trauer-Gondel, S.199a, no. 1
Don Carlos: Coro di festa e Marcia funebre, S.435
Einleitung, Fuge and Magnificat aus der Symphonie zu Dante, S.672b
3 Petrarch Sonnets I, for piano, S.158
3 Schubert Marches, for piano, S426/R251
3 Songs, S.485, R.150
4 Consolations, for organ
4 Geistliche Lieder, S.562, R.247
4 Valses oubliées, S.215, R.37
4 Vier Kleine Klavierstücke, S.192
5 Hungarian Folk Songs, S.245, R.108
6 Consolations, S.172, R.12
6 Melodies of Franz Schubert, S.563
6 Müllerlieder, S.565, R.249
6 Organ Preludes and Fugues, S.462, R.119
6 Polish Songs, S.480, R.145
6 Soirées italiennes, S.411
7 Songs, S.547, R.217
7 Variations brillantes sur un theme de Rossini, S.149, R.148
8 Préludes et Harmonies poétiques et religieuses, S.171d
A magyarok Istene, S 674
A magyarok Istene, S.543
Ab irato, S.143, "The Perfect Etude"
Abschied, S.251
Adélaide
Adelaïde, S.466
Agnus Dei de la Messe de Requiem, S.675c
Album d'un voyager, S.156
Album-Leaf: Consolation no. 1, S.171b
Alleluia et Ave Maria, S.183
Am Grabe Richard Wagners, S.202
Am Grabe Richard Wagners, S.267
Am stillen Herd aus den Meistersingern, S.448, R.281
Andante finale and March, S.421, R.233
Andante religioso, S.261a
Angelus! Prière aux anges gardiens, for harmonium, S.672c
Années de pèlerinage, S.160-163, R.10a-e
Aprés une lecture du Dante I, fantasia quasi sonata, S.158c
Aus Lohengrin, S.446
Ave Maria in D flat major, S.504/2
Ave Maria von Arcadelt, S.659
Ave Maria, S.545
Ave Maria, S.659, R.401
Ave Maria, S.674b
Ave Maria: Die Glocken von Rom, S.182
Ave maris stella, S.506
Bagatelle without Tonality, S.216a, R.60c
Ballad from 'The Flying Dutchman', S.441
Ballade no. 1, S.170, "Le Chant du Croise"
Ballade no. 2 in B minor, S.171, R.16
Ballade, for piano no. 2 in B minor, S.170a
Ballade, for piano no. 2 in B minor, S.171
Benedictus and Offertorium aus der ungarischen Krönungsmesse, S.501
Berceuse, S.174
Buch der Lieder, S.531, R.209
Carrousel de Mme. Pelet-Narbonne, S.214a, R.60b
Ce qu'on entend sur la montagne, for 2 pianos, S. 635, "Bergsymphonie"
Grand galop chromatique, S.219
Grand Paganini Étude, S.141
Grand Septet, S.465, R.127
Grande Fantaisie symphonique über Themen aus Berlioz's 'Lélio', S.120
Grande paraphrase de la marche pour Sa Majesté le sultan Abdul Medjid-Khan, S.403, R.157
Grande valse di bravura, for piano 4-hands, S.615, "Le bal de Berne"
Grandes Etudes de Paganini, S141/R3b
Gretchen: 2.Satz aus der Faust-Symphony, S.513
Grosses Konzertsolo, S.176, R.18
Hamlet, S.644
Harold en Italie, S472/R138
Héroïde funèbre, S.642
Hexameron, S.392, R.131
Historiche ungarische, S.205, R.112
Hungaria, S.643
Hungaria, symphonic poem for piano, S.511e
Hunnenschlacht, S.645
Hymne à Sainte-Cécile, S.491, R.168
Illustrations du 'Prophète', S.414, R.222
Impromptu in F sharp major, S.191
Impromptu brillant sur des themes de Rossini et Spontini, S.150, R.29
In Dominum Domini Ibimus, prelude, S.671
In festo transfigurationis Domini nostri Jesu Christi, S.188
Introitus, S.268/1
Isoldens Liebestod: Schlußszene aus Tristan und Isolde, S.447
Elegie no. 1, S.196
Elegie no. 2, S.197
Elégie sur des motifs du Prince Louis Ferdinand de Prusse, S.168
En rêve, S.207, R.87
Evocation à la Chapelle Sixtine, for organ, harmonium or pedal piano, S.658
Excelsior! Preludio zu dem Glocken des Strassburger Münsters, for organ, S.666
Fantasia on Hungarian Folk Themes S.123, R.458, "Hungarian Fantasy"
Fantasia on themes from 'Der Freischütz, S.451, R.284
Fantasie sur des motifs favoris de l'opera La sonnambula, for piano, S393/R132
Fantasie über Motive aus Figaro und Don Juan, S.697
Fantasie über Motiven aus Beethovens Ruinen von Athen, S.122
Fantasy and Fugue on the chorale 'Ad nos, ad salutarem undam', S.259
Fantasy and Fugue on the Chorale Ad nos, ad salutarem undam, S.624, R.314
Fantasy and Fugue on the Theme B-A-C-H, S.529
Fantasy on motives from the opera 'La sonnambula', S.393, R.192
Fantasy sur l'opéra hongroise Szép Ilonka, S.417
Feierlicher Marsch zum heiligen Gral aus Parsifal, S.450
Festklänge, S.641
Festklänge, symphonic poem for piano, S.511d
Festvorspiel
Feuille d'Album no. 1 in E major, S.164
Feuilles d'album in A flat major, S.165
Frühlingsnacht, S.568
Galop de bal, S.220, R.42
Galop in A minor, S218/R40
Grand fantasia de bravoure sur 'La clochette', S.420, R.231
Grand fantasy on motives of 'Soirées Musicales': La serenata e L'orgia, S.422, R.234
O Roma Nobilis, S.456a
O Roma Nobilis, S.669c
O sacrum convivium, S.674a
O! Wenn es doch immer so bliebe, S.554, R.239
Ora pro nobis, litany, S.262
Orchester-Einleitung aus der Legende von der heiligen Elisabeth, S.663a
Orpheus, S.638
Klavierstück in F sharp major, S.193
L'hymne du pape, S.530
La lugubre gondola, S.200
La Notte, S.602
Les adieux, rêverie, from 'Romeo et Juliette', S.409, R.169
Les Préludes, S.637
Les sabéennes, Berceuse from 'The Queen of Sheba', S.408, R.167
Liebestraum, 3 notturnos, S.541
Liebesträume
Litanei, S.562/1
Lob der Tränen, S.557
Marche et Cavatine de Lucia de Lammermoor, S. 398
Marche funèbre de 'Dom Sebastien', S.402, R.156
Mazeppa I, S.138
Mazeppa, S.640
Mazurka pour piano composee par un amateur de St. Petersbourg, S.384
Mephisto Polka, S.217, R.39
Mephisto Waltz no. 1, S.514
Mephisto Waltz no. 2, S.515
Mephisto Waltz no. 3, S.216, R.38
Mephisto Waltz no. 4, S.216a, R.60c, "Bagatelle sans tonalité"
Mephisto Waltz no. 4, S.696
Miserere du Trovatore, S.433
Missa pro organo, S.264
Morceau de salon, étude de perfectionnement, S.142
Mosonyis Grabgeleit, S.194
Nuages gris, S.199
Nun danket alle Gott, S.674c
O du mein holder Abendstern, from 'Tannhäuser', S.444, R.277
Tarantelle, S.482
Tarentelle di bravura d'après la tarantella de 'La muette de Portici', S.386, R.117
Tarentelle, S.483, R148
Tasso: Lamento e Trionfo, S.636
Toccata, S.197a, R.60
Totentanz
Totentanz, S.525
Transcendental Etudes, S.139, R.2b
Trauerode, oration, S.268/2
Trauervorspiel und Trauermarsch, S.206
Tscherkessenmarsch aus Russlan Ludmilla, for piano 4-hands, S.629
Tu es Petrus aus dem Orartorio Christus, S.664/1
Two Lieder, S.494-495
Unstern! Sinistre, disastro, S.208
Urbi et Orbi, bénédiction papale, S.184
Valhalla from 'Der Ring des Nibelungen', S.449, R.282
Valse à capriccio, sur deux motifs de 'Lucia et Parisina', S.401, R.155
Valse d'Adele, S.456
Valse impromptu, S.213, R.36
Variation on a Waltz by Diabelli, S.147, R.26
Variationen über das Motiv von Bach: Weinen, Klagen, S.673
Variations on a Bach motive: Weinen, Klagen, S.180
Variations on Bach's Weinen, Klagen, Sorgen, Zagen and Crucifixus from Mass in B minor, S.673, R.382
Venezia e Napoli, S159/R10d
Venezia, S.201, R.82
Vexilla regis prodeunt, for piano, S185/R70
Waltz from 'Faust', S.407, R.166
Wanderer Fantasy, S.366
Wedding March and Dance of the Fairies, S.410, R.219
Weihnachtsbaum, 4 hands, S.613
Weihnachtsbaum, S.186
Weimar Volkslied, S.672
Widmung, S.566
Widmung, S.566, R.249
Wiegenlied, S.198
Winterreise, S.561, R.246
Zum Haus des Herrn ziehen wir, S.505
Zwei Kirchenhymnen, S.669
Orpheus, symphonic poem, S.511b
Orpheus, symphonic poem, S.672a
Overture to 'Der Freischutz', S.575, R.289
Overture to 'Tannhäuser', S.442, R.275
Sancta Dorothea, S.187
Overture to 'William Tell', S.552, R.237
Paganini Caprices, S.140, R.3a
Pastorale: Schnitterchor aus den Entfesselten Prometheus, for piano, S.508
Phantasiestück über Motive aus Rienzi, S.439
Piano Concerto no. 2 in A major, for 2 pianos, S.651
Piano Piece in A flat major, S189a/R44a
Piano Sonata in B minor, S.178
Polonaise brillante, op. 72, S.455, R.460
Polonaise from 'Eugene Onegin', S.429, R.262
Prelude a la polka de Borodine, S.207a
Prelude and Fugue on the motive B-A-C-H, S.260i
Prelude and Fugue on the motive B-A-C-H, S.260ii
Preludio per Il Cantico del Sol di San Francesco, S.665
Prometheus, S.639
R.W. Venezia, S.201
Rákóczi-Marsch, for 2 pianos, S.652a
Recueillement, S.204
Regina coeli laetare, S.663
Réminiscences de 'Lucrezia Borgia', S.400, R.154
Réminiscences de 'Lucia di Lammermoor', S.393, R.151
Réminiscences de 'Lucia di Lammermoor', S.397
Réminiscences de 'Norma', S.394, R.133
Réminiscences de 'Simone Boccanegra', S.438, R.271
Réminiscences des 'Huguenots', Grande Fantaisie dramatique, S.412
Requiem, S.266
Resignazione, S.187
Resignazione, S.263/187a
Revive Szegedin, S.572, R.260
Rhapsodie espagnole, S.254, R.90, "Folies d'Espagne et jota aragonesa"
Romance in E minor, S.169
Romance oubliée
Romance oubliée, S.527, R.66b
Rosario, 3 works, S.670
Russian Galop, S.478, R.143
Sacred Dance and Final Duet from 'Aida', S.436
Salve Maria de Jérusalem, S.431
Sancta Dorothea, S.187, R.73
Sarabande and Chaconne from 'Almira', S.181, R.25
Scherzo in G minor, S.153
Scherzo and March, S.177
Scherzo und Marsch, S177/R20
Schlaflos, Frage und Antwort, nocturne, S.203
Schwanengesang, S.560, R.245
Second fantasy on motives of 'Soirees musicales': La pastorella dell'Alpi e Li marinari, S.423, R.235
Slavimo, slavni, Slaveni!, S.668
Soirées de Vienna, 9 Valses caprices d’après Schubert, S.427
Spinnerlied aus Der Fliegenden Holländer, S.440
Spirto gentil, from 'La favorite', S.400a
Sposalizio I, S.157a
Stabat Mater, S.579/3
Symphonie fantastique, S.470
Symphony no. 1 in C, S.464/1
Symphony no. 2 in D, S.464/2
Symphony no. 3 in E flat major, S.464/3
Symphony no. 4 in B flat major, S.464/4
Symphony no. 5 in C minor, S.464/5
Symphony no. 6 in F, S.464/6
Symphony no. 7 in A major, S.464
Symphony no. 7 in A, S.464/7
Symphony no. 8 in F, S.464/8
Symphony no. 9 in D minor, S.464/9
Szózat and Hungarian Hymn, S.486, R.158
Tannhauser: Pilgrim's Chorus, S.443
3 Schubert Marches, for piano, S426/R251
3 Songs, S.485, R.150
4 Consolations, for organ
4 Geistliche Lieder, S.562, R.247
4 Valses oubliées, S.215, R.37
4 Vier Kleine Klavierstücke, S.192
5 Hungarian Folk Songs, S.245, R.108
6 Consolations, S.172, R.12
6 Melodies of Franz Schubert, S.563
6 Müllerlieder, S.565, R.249
6 Organ Preludes and Fugues, S.462, R.119
6 Polish Songs, S.480, R.145
6 Soirées italiennes, S.411
7 Songs, S.547, R.217
7 Variations brillantes sur un theme de Rossini, S.149, R.148
8 Préludes et Harmonies poétiques et religieuses, S.171d
A magyarok Istene, S 674
A magyarok Istene, S.543
Ab irato, S.143, "The Perfect Etude"
Abschied, S.251
Adélaide
Adelaïde, S.466
Agnus Dei de la Messe de Requiem, S.675c
Album d'un voyager, S.156
Album-Leaf: Consolation no. 1, S.171b
Alleluia et Ave Maria, S.183
Am Grabe Richard Wagners, S.202
Am Grabe Richard Wagners, S.267
Am stillen Herd aus den Meistersingern, S.448, R.281
Andante finale and March, S.421, R.233
Andante religioso, S.261a
Angelus! Prière aux anges gardiens, for harmonium, S.672c
Années de pèlerinage, S.160-163, R.10a-e
Aprés une lecture du Dante I, fantasia quasi sonata, S.158c
Aus Lohengrin, S.446
Ave Maria in D flat major, S.504/2
Ave Maria von Arcadelt, S.659
Ave Maria, S.659, R.401
Ave Maria, S.674b
Ave Maria: Die Glocken von Rom, S.182
Ave maris stella, S.506
Orchestral
2 Episodes from Lenau's Faust, S.110
3 Odes funèbres, S.112
6 Hungarian Rhapsodies, S.359
Ce qu'on entend sur la montagne, S.95, R.412, "Bergsymphonie"
Concerto pathéthique in E minor, S.365b
Concerto pathéthique, S.367
Concerto pathétique
De Profundis, Psaume Instrumental, S.121a
Die Ideale, S.106
Faust Symphony, S.108, R.425
Festklänge, S.101
Festklänge, S.101, R.418
Festmarsch nach Motiven von E.H. z. S.C.-G., S.116
Festmarsch zur Goethe Jubilaumsfeier, S.115
Hamlet, S.104, R.421
Héroïde funèbre, S.102
Hungaria, S.103, R.420
Hungarian Battle March, S.119
Hungarian Fantasy, S.123
Hunnenschlacht, S.105
Les Préludes, S.97
Les Preludes, S97/R414
Malédiction, for piano and string orchestra, S.121
Mazeppa, S.100
Mephisto Waltz no. 2, S.111
Orpheus, S.98
Piano Concerto no. 1 in E flat major, S.124
Piano Concerto no. 2 in A major, S.125
Piano Concerto no. 3 in E flat major, S.125a
Prometheus, S.99
Rákóczi-Marsch, S.117
Symphony to Dante's Divina Commedia, S.109, R.426
Tasso: Lamento e Trionfo, S.96
Totentanz, S.126, R.457
Von der Wiege bis zum Grabe, S.107, R.424
3 Odes funèbres, S.112
Ce qu'on entend sur la montagne, S.95, R.412, "Bergsymphonie"
2 Episodes from Lenau's Faust, S.110
2 Episodes from Lenau's Faust, S.110
Ce qu'on entend sur la montagne, S.95, R.412, "Bergsymphonie"
3 Odes funèbres, S.112
Concerto pathéthique in E minor, S.365b
Concerto pathéthique, S.367
Concerto pathétique
De Profundis, Psaume Instrumental, S.121a
Die Ideale, S.106
6 Hungarian Rhapsodies, S.359
Hamlet, S.104, R.421
Héroïde funèbre, S.102
Hungaria, S.103, R.420
Hungarian Battle March, S.119
Hungarian Fantasy, S.123
Hunnenschlacht, S.105
Faust Symphony, S.108, R.425
Festklänge, S.101
Festklänge, S.101, R.418
Festmarsch nach Motiven von E.H. z. S.C.-G., S.116
Festmarsch zur Goethe Jubilaumsfeier, S.115
Les Préludes, S.97
Les Preludes, S97/R414
Malédiction, for piano and string orchestra, S.121
Mazeppa, S.100
Mephisto Waltz no. 2, S.111
Tasso: Lamento e Trionfo, S.96
Totentanz, S.126, R.457
Von der Wiege bis zum Grabe, S.107, R.424
Orpheus, S.98
Piano Concerto no. 1 in E flat major, S.124
Piano Concerto no. 2 in A major, S.125
Piano Concerto no. 3 in E flat major, S.125a
Prometheus, S.99
Rákóczi-Marsch, S.117
Symphony to Dante's Divina Commedia, S.109, R.426
6 Hungarian Rhapsodies, S.359
Chamber
2 Waltzes, S.208a, for violin and piano
Am Grabe Richard Wagners, for string quartet, S.135, R.474
Angelus! Priere aux anges gardiens, for string quartet, S.378, R.473
Benedictus and Offertorium, for violin and piano, S.381, R.465
Die drei Zigeuner, for violin and piano, S.383
Duo Sonata, for violin and piano, S.127
Elegie no. 1, for cello and piano, S.196, "Schlummerlied im Grabe"
Elegie no. 1, for violin, piano and harmonium, S.130ter
Elegie no. 2, for violin and piano, S.131
Elegie: Die Zelle in Nonnenwerth and piano, S.382
Epithalam zu Eduard Reményis Vermählungsfeier, for violin and piano, S.129
Grand Duo concertant sur la Romance de 'Le Marin', for violin and piano, S.128 and S.700h
Hosanna, for trombone and organ, S.677, R.409
La Lugubre gondola, for violin and piano, S.134bis
La notte, for violin and piano, S.377a
Le carnaval de Pesth, S.379, R.470
Romance oubliée, for viola and piano, S.132
Tristia, from Vallée d'Obermann, for violin, cello and piano, S.378c
2 Waltzes, S.208a, for violin and piano
2 Waltzes, S.208a, for violin and piano
Die drei Zigeuner, for violin and piano, S.383
Duo Sonata, for violin and piano, S.127
Elegie no. 1, for cello and piano, S.196, "Schlummerlied im Grabe"
Elegie no. 1, for violin, piano and harmonium, S.130ter
Am Grabe Richard Wagners, for string quartet, S.135, R.474
Angelus! Priere aux anges gardiens, for string quartet, S.378, R.473
Benedictus and Offertorium, for violin and piano, S.381, R.465
Hosanna, for trombone and organ, S.677, R.409
Elegie no. 2, for violin and piano, S.131
Elegie: Die Zelle in Nonnenwerth and piano, S.382
Epithalam zu Eduard Reményis Vermählungsfeier, for violin and piano, S.129
Grand Duo concertant sur la Romance de 'Le Marin', for violin and piano, S.128 and S.700h
La Lugubre gondola, for violin and piano, S.134bis
La notte, for violin and piano, S.377a
Le carnaval de Pesth, S.379, R.470
Tristia, from Vallée d'Obermann, for violin, cello and piano, S.378c
Romance oubliée, for viola and piano, S.132
Am Grabe Richard Wagners, for string quartet, S.135, R.474
Angelus! Priere aux anges gardiens, for string quartet, S.378, R.473
Vocal
3 Sonetti di Petrarca, S.270
3 Songs from William Tell, S.292
A magyarok Istene, for chorus, S339/R635
An die Kunstler, for chorus, S70/R540
Anfangs wollt' ich fast verzagen, S.311
Angiolin del biondo crin, S.269
Ave Maria in G major, for voice and piano in G major, S.341
Ave Maria, for chorus and organ ad lib, S.20/1, R.496a
Ave Maria, for chorus and organ, S.20/2
Ave Maria, for soloist and organ, S.681
Ave maris stella I in G major, for chorus and organ, S.34/1, R.499a
Ave Maris Stella in D major, for voice and piano, S.680
Ave verum corpus, for chorus and organ ad lib, S.44
Bist du
Blume und Duft, S.324
Cantico del Sol di San Francesco, cantata for soloist, male chorus, orchestra, and organ, S.4/2
Chor der Engel aus Goethe's Faust II, for chorus, harp, piano and harmonium, S. 85/2
Chore zu Herders entfesseltem Prometheus, for chorus, S69/R539
Christus for soloists, chorus, orchestra and organ, S.3, R.478
Oratorio
Christus ist geboren, for chorus and organ
Comment, Disaient-ils, S.276
Der du Von dem Himmel Bist, S.279
Der Herr bewährt die Seelen seiner Heiligen
Der König von Thule, S.278
Des Tages laute Stimmen schweigen, S.337
Die drei Zigeuner, S.320
Die Fischertochter, S.325
Die Legende von der heilgen Elisabeth for soloists, chorus and orchestra, S.2
Oratorio
Die Lorelei, S.273
Die Seligkeiten
Die stille Wasserrose, S.321
Die tote Nachtigall, S.291
Die Vätergruft, S.281
Die Zelle in Nonnenwerth, S.274
Domine salvum fac regem, for chorus, S23/R504
Du Bist wie Eine Blume, S.287
Einst
Einst, S.332
Enfant, si J'étais Roi, S.283
Es muss ein Wunderbares sein, S.314
Es rauschen die Winde, S.294
Es war einmal ein König, for soloist, male chorus and piano, S.73
Freudvoll und Leidvoll, S.280
Gastibelza S.286
Gebet, S.331
Gestorben war ich S.308
Go not, happy day, S.335
Gottes ist der Orient II, for male chorus, S.90/12
Hohe Liebe
Hungarian Coronation Mass, S.11
Ich liebe dich, S.315
Ich scheide, S.319
Ihr Auge
Ihr glocken von Marling, S.328
Il m'aimait tant, S.271
Im Rhein, im schönen Strome, S.272
In Liebeslust S.318
Isten veled!, S.299
J'ai perdu ma force et ma vie, S.327, "Tristesse"
Jeanne d'Arc au Bûcher, S.293
Jugendglück, S.323
Kling leise, mein Lied, S.301
La perla, S.326
La tombe et la rose, S.285
Lasst mich ruhen, S.317
Le juif errant, S.300
Le Vieux Vagabond S.304
Licht, mehr Licht, for chorus, S84/R554
Magyar kiraly-dal, for chorus, S93/R563
Mariengarten, for chorus, S62/R512
Mignons Lied, S.275, "Kennst du das Land"
Missa choralis quatour vocum concinente organo, for chorus and organ, S.10
Missa solemnis zur Einweihung der Basilika in Gran, S.9
Morgens steh' ich auf und frage, S.290
Muttergottes-Sträusslein, S.316
Song cycle
Nimm einen Strahl der Sonne, S.310, "Ihr Auge"
Nun danket alle Gott, for chorus, brass, percussion and organ ad lib, S.61
O Roma Nobilis, for chorus and keyboard, S.54
O salutaris hostia II, for chorus, S.43
Oh! pourquoi donc, S.301a
Pater Noster I in A flat major, for chorus and organ, S.29
Pater Noster III in F S. 41/1
Pro papa
Psalm 129, De profundis
Psalm 129, De profundis, S.16i
Psalm 13: Herr, wie lange, for tenor, chorus and orchestra, S.13b
Psalm 18, Coeli enarrant gloriam Dei
Psalm 23, Mein Gott, der ist mein Hirt for soloists, chorus and keyboard
Qui seminant in lacrimis, for chorus and organ, S.63
Repsonsorien und Antiphonen, for male chorus and organ ad lib, S.30
Requiem
Rosario, for soloist, chorus and organ
S'il est un charmant gazon, S.284
Salve Regina, for chorus, S.66
Septem Sacramenta, S.52
Über allen gipfeln ist Ruh', S.306
Und wir dachten der Toten
Verlassen, S.336
Via Crucis: Les 14 stations de la croix, for soloists, chorus, and organ, S.53, R.534
Wartburg Lieder, S.345
Was Liebe sei?, S.288
Wer nie sein Brot mit Tranen ass, S.297
Wie singt die Lerche schön, S.312
Wieder möcht ich dir begegnen, S.322
Wo weilt er?, S.295
Chor der Engel aus Goethe's Faust II, for chorus, harp, piano and harmonium, S. 85/2
Die drei Zigeuner, S.320
Chor der Engel aus Goethe's Faust II, for chorus, harp, piano and harmonium, S. 85/2
Chore zu Herders entfesseltem Prometheus, for chorus, S69/R539
Christus for soloists, chorus, orchestra and organ, S.3, R.478
Oratorio
Christus ist geboren, for chorus and organ
Comment, Disaient-ils, S.276
Chore zu Herders entfesseltem Prometheus, for chorus, S69/R539
Christus for soloists, chorus, orchestra and organ, S.3, R.478
Oratorio
Christus ist geboren, for chorus and organ
Comment, Disaient-ils, S.276
Der du Von dem Himmel Bist, S.279
Der Herr bewährt die Seelen seiner Heiligen
Der König von Thule, S.278
Des Tages laute Stimmen schweigen, S.337
Die Fischertochter, S.325
Die Legende von der heilgen Elisabeth for soloists, chorus and orchestra, S.2
Oratorio
Die Lorelei, S.273
Die Seligkeiten
Die stille Wasserrose, S.321
Die tote Nachtigall, S.291
Die Vätergruft, S.281
Die Zelle in Nonnenwerth, S.274
Domine salvum fac regem, for chorus, S23/R504
Du Bist wie Eine Blume, S.287
Einst
Einst, S.332
3 Sonetti di Petrarca, S.270
3 Songs from William Tell, S.292
A magyarok Istene, for chorus, S339/R635
An die Kunstler, for chorus, S70/R540
Anfangs wollt' ich fast verzagen, S.311
Angiolin del biondo crin, S.269
Ave Maria in G major, for voice and piano in G major, S.341
Ave Maria, for chorus and organ ad lib, S.20/1, R.496a
Ave Maria, for chorus and organ, S.20/2
Ave Maria, for soloist and organ, S.681
Ave maris stella I in G major, for chorus and organ, S.34/1, R.499a
Ave Maris Stella in D major, for voice and piano, S.680
Ave verum corpus, for chorus and organ ad lib, S.44
Bist du
Blume und Duft, S.324
Cantico del Sol di San Francesco, cantata for soloist, male chorus, orchestra, and organ, S.4/2
Hohe Liebe
Hungarian Coronation Mass, S.11
Ich liebe dich, S.315
Ich scheide, S.319
Ihr Auge
Ihr glocken von Marling, S.328
Il m'aimait tant, S.271
Im Rhein, im schönen Strome, S.272
In Liebeslust S.318
Enfant, si J'étais Roi, S.283
Es muss ein Wunderbares sein, S.314
Es rauschen die Winde, S.294
Es war einmal ein König, for soloist, male chorus and piano, S.73
Freudvoll und Leidvoll, S.280
Gastibelza S.286
Gebet, S.331
Gestorben war ich S.308
Go not, happy day, S.335
Gottes ist der Orient II, for male chorus, S.90/12
O salutaris hostia II, for chorus, S.43
Oh! pourquoi donc, S.301a
Isten veled!, S.299
J'ai perdu ma force et ma vie, S.327, "Tristesse"
Jeanne d'Arc au Bûcher, S.293
Jugendglück, S.323
Kling leise, mein Lied, S.301
La perla, S.326
La tombe et la rose, S.285
Lasst mich ruhen, S.317
Le juif errant, S.300
Le Vieux Vagabond S.304
Licht, mehr Licht, for chorus, S84/R554
Magyar kiraly-dal, for chorus, S93/R563
Mariengarten, for chorus, S62/R512
Mignons Lied, S.275, "Kennst du das Land"
Missa choralis quatour vocum concinente organo, for chorus and organ, S.10
Missa solemnis zur Einweihung der Basilika in Gran, S.9
Morgens steh' ich auf und frage, S.290
Muttergottes-Sträusslein, S.316
Song cycle
Nimm einen Strahl der Sonne, S.310, "Ihr Auge"
Nun danket alle Gott, for chorus, brass, percussion and organ ad lib, S.61
O Roma Nobilis, for chorus and keyboard, S.54
Über allen gipfeln ist Ruh', S.306
Und wir dachten der Toten
Verlassen, S.336
Via Crucis: Les 14 stations de la croix, for soloists, chorus, and organ, S.53, R.534
Wartburg Lieder, S.345
Was Liebe sei?, S.288
Wer nie sein Brot mit Tranen ass, S.297
Wie singt die Lerche schön, S.312
Wieder möcht ich dir begegnen, S.322
Wo weilt er?, S.295
Pater Noster I in A flat major, for chorus and organ, S.29
Pater Noster III in F S. 41/1
Pro papa
Psalm 129, De profundis
Psalm 129, De profundis, S.16i
Psalm 13: Herr, wie lange, for tenor, chorus and orchestra, S.13b
Psalm 18, Coeli enarrant gloriam Dei
Psalm 23, Mein Gott, der ist mein Hirt for soloists, chorus and keyboard
Qui seminant in lacrimis, for chorus and organ, S.63
Repsonsorien und Antiphonen, for male chorus and organ ad lib, S.30
Requiem
Rosario, for soloist, chorus and organ
S'il est un charmant gazon, S.284
Salve Regina, for chorus, S.66
Septem Sacramenta, S.52
3 Sonetti di Petrarca, S.270
3 Songs from William Tell, S.292
A magyarok Istene, for chorus, S339/R635
An die Kunstler, for chorus, S70/R540
Anfangs wollt' ich fast verzagen, S.311
Angiolin del biondo crin, S.269
Ave Maria in G major, for voice and piano in G major, S.341
Ave Maria, for chorus and organ ad lib, S.20/1, R.496a
Ave Maria, for chorus and organ, S.20/2
Ave Maria, for soloist and organ, S.681
Ave maris stella I in G major, for chorus and organ, S.34/1, R.499a
Ave Maris Stella in D major, for voice and piano, S.680
Ave verum corpus, for chorus and organ ad lib, S.44